Showing posts with label Travel in Tweed. Show all posts
Showing posts with label Travel in Tweed. Show all posts

Thursday, January 24, 2013

Time Travel, In Tweed



How do you change the look of a suit from one era to another?  Add a belt, a couple of buttons, and a longer length skirt; and you have now taken a circa 1948 suit back to the late 1930's.  Ashton Drake's "Travel In Tweed" suit ensemble originally designed for the Gene Marshall Collection by Lynne Day is a classic late 40's, early 50's suit style.  Simply by belting it and adding buttons to the pockets changes the dynamics.  I paired the jacket with the skirt from Madame Alexander's Aunt Amanda Fairchild suit. The fabric is identical.  A fabulous OOAK wool felt hat and fur jabot and the original cape complete the look. The gloves are from "Goodbye New York", and the shoes are from Robert Tonner's Brenda Starr Collection.  The train case is from "Travel In Tweed".




"Symphony in G" Gene Marshall looks smashing in the OOAK red wool felt hat and fur jabot from The Couture Touch.  The buttons were loosely sewn on the pocket flaps so they can easily be removed in order to return the jacket to it's original style.  Another tip is to bring the lapels closer together and secure with a straight pin.

Monday, January 30, 2012

A New Hat from Aunt Amanda

I don't know why I have been in such a hat making mode lately, but there is no better way to refresh an outfit than with a new hat!   Madame Alexander's "Aunt Amanda Fairchild" fashion doll wears a navy tweed suit that is made from the exact fabric used in Ashton Drake's "Travel In Tweed" Gene Marshall suit ensemble.  As I never liked the fit or the quality of the fabric used in the collar and cuffs of the "Aunt Amanda" jacket, I decided to make a hat out of the jacket to match Gene's "Travel in Tweed costume.


Ashton Drake's Violet Waters models my "new" Travel in Tweed costume shown with the skirt from the "Aunt Amanda Fairchild" ensemble.  I like the longer length and slimmer lines for a change. 


I covered a buckram shape with fabric taken from the back of the jacket keeping the princess seaming in place.  Unfortunately the seaming is hard to see in the photo.  Vintage berries and lots of veiling fashioned in a "birdcage" effect complete this circa 1944 hat.