Whether it's crossing the continent by train or a transatlantic crossing aboard a luxury ocean liner, the stars from Monolithic Studios will be dressed to impress.
The jacket from Sparkling Sepia is dressed up with a fur collar recycled from a 1.6 scale jacket. The original collar now becomes detachable cuffs. A delightful restyled hat from PD Root tops the smart new look. Suit from Integrity. Gloves and earrings are from Ashton Drake. Brooch from Mattel. Train case from Robert Tonner. White Orchid Gene Marshall is from JamieShow.
A change of accessories updates the sheath and matching stadium coat from Miss Lord's Cat Walk costume. You can't beat the power of red and black to impress the fans. Hat and belt are from The Couture Touch. Handbag, gloves, and necklace are from Ashton Drake. Willow Madra Lord is from Integrity. Cat Walk was designed exclusively for Ashton Drake's Madra Lord premiere collection by Jose Ferrand.
The ultimate travel ensemble....Fit for a Queen. Hat and scarf are from The Couture Touch. Brooch from Mattel. Suit, cape, and train case are from Ashton Drake's Fit for a Queen costume set designed by Lynne Day. The Star Wardrobe Collection's embroidered gloves and Love, Paris Gene Marshall are also from Ashton Drake.
Furred casuals from the Chicago Mail Order Company, Fall/Winter 1941-42. Soundly tailored tweed coats mounted with full, fluffy furs. Stylish yet warm, you will be yearning for chilly weather.
Only cashmere and mink will do for Monolithic Studios' star Gene Marshall. Mink trim accents the versatile coat from Robert Tonner's Tyler Wentworth Collection. Cashmere Noir transcends the decades with its classic design. Hat, scarf, and styling are from The Couture Touch. "Fur" muff and gloves are from Integrity. Midnight Gamble Gene Marshall is from Ashton Drake.
Fur collars broaden the shoulders and make your waist appear smaller. A flared hemline gives grace to your walk. From The Chicago Mail Order Company, a luscious blonde lynx-dyed Guanaco fur collared coat. Fall/Winter 1941-42.
Victoire Roux is ready for a Winter in New York with a stylishly classic black wool coat accented with contrasting blonde "fur" collar and cuffs. Hat and scarf are from The Couture Touch. Bracelet from Joshard. Coat and gloves are from Mattel.
Wrap it....please. A new fur coat for '41. Beaver coat and sash from Ritter Brothers. Hat from Lilly Dache. Photo by Rawlings for Vogue.
It's a wrap....The enormously chic "fur" coat from Ashton Drake's Warmest Wishes is worn wrapped and cinched at the waist with a leopard "fur" belt from Fashion Boulevard. The toasty-warm winter coat flares voluminously below the knee. Hat and scarf are from The Couture Touch. Gloves and Fashion Plot Gene Marshall are from Ashton Drake.
Autumn is the perfect time to think of a rich neutral color palette. Smart women build their fall wardrobe around a neutral such as beige, taupe, or black. They are especially effective used for investment pieces such as a suit. Timeless and elegant, neutral tones blend effortlessly with any color. They can provide a canvas for soft, muted shades as well as dramatic bursts of color.
Actress Gene Marshall wears a smart black and brown suit accented with a pop of color at the neckline. A stylish mink on felt hat tops the late 1930's travel ensemble. Suit, hat, and scarf are from The Couture Touch. Gloves and train case are from Ashton Drake. Bracelet is from Integrity. Brooch from Robert Tonner. Blue Fox Gene Marshall is from Ashton Drake.
While location scouting in Chicago, director Ivy Jordan agrees to pose for a local department store's magazine ad. A little publicity never hurts. A classic 1940's suit is paired with ochre accents while a dramatic mink and felt hat tops the distinctive look. Jacket and handbag are from Ashton Drake. Hat, gloves, scarf, brooch, and skirt are from The Couture Touch. Cigarette holder is from Mystyna. Lady Director Ivy Jordan is from Integrity.
Mauve and taupe make the perfect pairing for Miss Marshall's delightful mid-forties suit ensemble. Suit, scarf, and handbag are from Integrity. Hat was borrowed from D.A.E. Originals' Business Class costume. Gloves, bracelet, and Cocoa Rose Gene Marshall are from Ashton Drake.
Gene Marshall and Ivy Jordan appear courtesy Monolithic Studios.
If you are a regular reader of this blog, you know how much I adore vintage miniature mannequins. It's perhaps why I was immediately taken with Ashton Drake's Gene Marshall line of fashion dolls. They were and still are the perfect "mannequin" if you will, for those wonderful fashions of the early to mid-twentieth century. I was delighted to find a copy of the April-May 1935 issue of Vogue Pattern Book where on the cover graced two marvelous miniature mannequins by Margit Nilsen dressed in miniature copies of Vogue patterns.
Credits: Photo by Bruehl-Bourges. Mannequins and setting are by Margit Nilsen. Suit - Vogue 6904. Bolero ensemble - Vogue 6910. Hats were copied from Florence Reichman originals.
A press photo of Margit Nilsen with two of her amazing mannequins. Circa 1938.
Fast forward to the 1940's where Monolithic Studios' rivals Gene Marshall and Madra Lord graciously come together to appear on the Aug-Sept 1943 cover of Vogue Pattern Book.
Credits: Miss Lord's ensemble - Jacket, hat, gloves, and jewels are from The Couture Touch. Skirt from Sandra Stillwell. Scarf from Ashton Drake's Fit for a Queen.
Miss Marshall's costume - Dress from Bonnie and Blythe, handbag from So Evil My Love; both Ashton Drake. Restyled Bonnie and Blythe hat, gloves, and belt are from The Couture Touch. Bracelet and fur from Integrity.
Set - Sofa and coffee table are from Liz Cole for Retros.
Spotted in Manhattan Madra Lord and White Orchid Gene Marshall are from JamieShow.
In fact, a trio of distinctive suits updated just in time for those chilly days ahead.
Monolithic Studios' diva Madra Lord wears a re-imagined version of Gene Marshall's J'Adore suit. The jacket buttons were changed and a black linen asymmetric band was added to the skirt hemline for a decidedly 1930's feel. Hat, gloves, scarf, belt, and shoes are from The Couture Touch. Brooch from Mattel.
Film star Gene Marshall tops Integrity's Suited for Fur with a marvelous topper from The Couture Touch. Gloves are from Ashton Drake. Handbag from Michael Scott. The "fur" cuffs had been previously removed from the jacket for an earlier post. They were left intact so they easily slide back on the sleeves. Liberties were taken as to the placement.
Miss Lord accessorizes a versatile black suit with elegant brown tones for a smartly tailored look. Suit, hat, belt, gloves, and scarf are from The Couture Touch. Fur from miniature furrier to the stars PD Root. Cigarette holder from Mystyna.
Siren in the Night Madra Lord, enhanced with an Integrity articulated body, is from Ashton Drake.
White Orchid and J'Adore Gene Marshall are from JamieShow.
A brooch, often referred to as a pin, brings interest to a basic suit, dress, or even a muff. In the 1940's, the brooch was meant to be worn at the center-front of the neckline. Lapel ornaments were in the form of a pin, novelty clip, or pendant-type.
You can easily make your own unique brooch for a favorite fashion doll. Old earrings, broken necklaces, and unusual buttons can be recycled for a distinctive look. Antique malls, thrift stores, flea markets, and even the clearance jewelry section of your local department store can often yield interesting pieces. Of course, my motto is to first shop your own jewelry box as I did for the following examples.
A black onyx and "diamond" earring gives just the right amount of elegance to Miss Lord's garnet suit.
Even the modern earring lends itself perfectly to Miss Marshall's chic 1950's suit ensemble.
Components from a broken necklace add a touch of surrealism to a wool boucle muff.
Here's what you will need:
Magnets, 1/4" or smaller
A Word of Caution:
Be sure to carefully read any warnings on your package of magnets and adhesive before you purchase.
To convert an earring to a brooch:
Wearing safety glasses, remove the post with your wire cutters. Smooth any sharpness with the fine side of an emery board.
To prepare the surface for the adhesive, lightly roughen the back of the earring with the emery board. Wipe the surface clean before applying the glue.
Apply adhesive and attach a magnet. Let dry according to package directions. For better control, squeeze a small amount of glue onto a paper plate or a piece of foil. Use the tip of a pin or toothpick to apply the glue to the back of the earring.
A colorful, jeweled button becomes the perfect accent for a luscious fur drape.
Spotted in Manhattan Madra Lord and J'Adore Gene Marshall are from Integrity.
Like A Fox Madra Lord is from Ashton Drake.