Thursday, July 23, 2020

From Sketch to Costume

The costume designer often begins with a sketch of an idea.  "To sketch an idea is the surest way to capture it, the clearest way to explain it. "  Patricia L. Rowe

Irene's sketch of the suit worn by Joan Crawford in "They All Kissed the Bride"
(Columbia, 1942).
Irene Lentz-Gibbons, known simply as Irene, developed a style of boldly signed fashion sketches that became her trademark.  She was a successful designer of not only costumes for film but of the personal wardrobes of Hollywood's most noted stars.

Joan Crawford in the suit by Irene.

Sketches were also commonly utilized within the pages of fashion magazines such as Vogue.

This 1943 illustration from Vogue London highlights fashion collections designed under wartime regulations.  On the left, a tailored suit in oatmeal tweed by Bery.  On the right, a grey tweed coat from Brenner Sports.

Credits:


In a Glamorous Fashion, The Fabulous Years of Hollywood Costume Design by W. Robert Lavine. 

Shorthand Fashion Sketching by Patricia L Rowe.  Fairchild Publications, New York.

Fashion Illustrated, A Review of Women's Dress 1920 - 1950 by Deborah Torrens.



2 comments:

  1. How right you are, Melissa! I have always preferred to start with a sketch...it lets me develop the idea and even go farther that I would with fabric at first! Sometimes not all ideas are good, feasible ones...and the mistake on paper is less of a loss all the way 'round! --Monsieur Érik

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    1. Exactly! I too always sketch an idea first to see if it is realistic to execute in miniature. Thank you for your comment Monsieur Erik. Melissa

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