"Montage", 1948

Suspense and intrigue in the world of art.

In this 1948 film noir classic, Gene Marshall stars as the glamorous owner of a renowned New York City art gallery who purchases a mysterious portrait painted by her father. Who are the shadowy figures now following her?  And who kidnapped her father?  Could all this intrigue be linked to the painting?

Gene Marshall

For her film role, Miss Marshall wears an updated version of Ashton Drake's "Secret Sleuth" costume. The cape was shortened and the shoulder seams were given a subtle reshaping. The dress was narrowed for a slimmer silhouette. A new hat and fur muff add drama to this chic ensemble. 

Gene Marshall

Credits: The marvelous, high crown black wool felt hat with contrast is from The Couture Touch. Fur is from Mattel. Shoes from D.A.E. Originals. The original "Secret Sleuth" was designed by Tim Kennedy, based on an authentic period design from Valentino's in Hollywood, CA. Cocoa Crisp Gene Marshall is from Integrity.

A New DIY Hat Project for Gene Marshall

It's that time of the year when all eyes are on the new hats for Fall. Here's a delightful 1940's Style Sculptural Wool Felt Hat to make for your favorite Monolithic Studios' star.

The tutorial also includes this whimsical, yet chic cocktail hat variation. Click HERE for the instructions.

Felts with Flair

Gene Marshall

"The lady definitely has flair!" Naturally she's wearing a chic little winter white, draped, wool felt hat accented with a dramatic feather from The Couture Touch. It's the perfect topper for her smart, fur-trimmed, travel suit.

Credits:
Goodbye New York suit, designed by Doug James, is from Ashton Drake.
Suede color-blocked gauntlet gloves, hat, and earrings are from The Couture Touch.
A re-styled "Blue Belle" Gene Marshall, enhanced with an articulated body from Integrity, is from Ashton Drake.

Madra Lord

A divine unusual-shaped, wool felt hat from The Couture Touch adds flair to the ultimate IT girl's sophisticated daytime ensemble.

Credits:
Dress from Madame Alexander, cape from The Couture Touch.
Fur muff from D.A.E. Originals, gloves from Ashton Drake, and necklace from Michael Scott.
C'est Moi Madra Lord is from Integrity.

For more on imaginative and whimsical felt hats from the late 1930's, early 1940's, visit my blog Chapeaux à la Mode

1940's Beach Glamour

Sunset Serenade Violet Waters from Integrity is ready to celebrate summer in this circa 1940's 2-piece navy and white dotted swimwear ensemble from Tonner's Brenda Starr Collection.  Her warm make-up colors are a nice contrast with the cool navy outfit.  The large navy straw picture hat from Madame Alexander is accented with a white floral hair ornament borrowed from Queen of Hearts Gene Marshall by Ashton Drake.  Bracelet from Liz Cole/Retros, sunglasses from Integrity.  The umbrella is from Ashton Drake's April Showers Coca-Cola Calendar Girl Gene Marshall.

Happy Memorial Day!

Gene Marshall

Want to know the secret to Miss Marshall's chic straw topper?  Click HERE to see how it was made.

Madra Lord: Night and Day

Celebrating the glamour of 1950's fashion photography, Miss Lord shows her day and night style in black and white.

Gown from "Glammed Up Ivy" by Integrity.
Earrings from Ashton Drake.

Suit from Sandra Stillwell. Wrap from The Couture Touch.
Hat from D.A.E. Originals. Gloves from Ashton Drake.

"Spotted in Manhattan" Madra Lord is from JamieShow.

1950's Fashion Photography

A Study in Black and White

Erwin Blumenfeld
Photo courtesy phaidon.com

The black and white fashion photography of the 1950's evoked the essence of the decade and captured the grandeur and drama of haute couture. It was often editorial in nature and had two distinctive styles: abstract and realistic. Both styles seem to complement the glamour and elegance of the fashion and the polished perfection of the high-fashion models of the era. The sharp contrast of the black and white medium lends itself perfectly to the graphic and artistic nature of the abstract style, as well as the gritty realism of the couture fashion juxtaposed against a background of exterior locations.

Some photographers used simple backdrops in a studio setting, letting the subject speak for itself as in a still-life painting. Light was used to sculpt the silhouette and enhance the texture of a garment. Others chose to place their models in urban, street scenes using the natural light to give a sense of reality, yet there was a choreography to their poses.

Although photographers such as Horst P. Horst and Cecil Beaton continued to have contributions well into the 1950's, it was Erwin Blumenfeld and Irving Penn along with such notables as Norman Parkinson, Gordon Parks, Henry Clarke and others that dominated the decade.

An interesting behind the scenes of Horst directing a fashion shoot with Lisa Fonssagrives, 1949.
Photo by Roy Stevens for Time. Courtesy Victoria & Albert Museum

Lisa Fonssagrives in Dior.
Photo by Irving Penn courtesy Sara Rose Leone on Pinterest

Bettina photographed by Jean-Philippe Charbonnier
Courtesy couturenotebook.com

Photography by F.C. Gundlach courtesy chronologievintage.tumbir.com

Bruno Bernini, 1956
Photo courtesy Bruno-Bernini on Tumbir

Dovima in Christian Dior, 1950.
Photo by Richard Avedon courtesy emariam.tumbir.com 

Photo by Gordon Parks for Life.
Courtesy boroughvintage.blogspot.com

Photo by Norman Parkinson
Courtesy stanflouride.com

Henry Clarke for French Vogue, 1954.
Photo courtesy gabrielleteare.com

Pierre Balmain suit, circa 1955.
Photo by Philippe Pottier courtesy highlowvintage.com

Sources:

The Art of Vogue, Photographic Covers, Fifty Years of Fashion and Design by Valerie Lloyd.

Hollywood Portraits by Roger Hicks and Christopher Nisperos.

The Fashion Book from Phaidon Press Ltd.