Miss Gene Marshall |
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Thursday, December 17, 2020
Thursday, December 10, 2020
A Season for Travel
"Portraits of Fashion" by Flexees Foundations. Vogue, November 15, 1940. |
A classic tailored ensemble will carry you to your destination in style. It is a fashion for all locales, all climates, all seasons.
Miss Gene Marshall |
Chic Gene Marshall is all set to go places in a smartly tailored suit ensemble. Jacket, gloves, and brooch are from Ashton Drake. Scarf from Mattel. Hat, skirt, earrings, and styling are from The Couture Touch. Cocoa Rose Gene Marshall appears courtesy of Monolithic Studios and Ashton Drake.
Photo Credit: Collection Bibliothèque
Nationale, Paris. |
Resources:
Vogue, November 15, 1940.
Fashion, The 20th Century by Francois Baudot.
Thursday, December 3, 2020
December Seasonal Accessorizing
For a dramatic effect, layer a rich wool boucle plastron over a basic dress. Add a matching hat, gloves, and handbag.
Miss Gene Marshall |
Costume Credits: Dress, handbag, and necklace are from Ashton Drake. Plastron, hat, beaded gauntlet gloves, belt, and earrings are from The Couture Touch. Caribbean Kiss Gene Marshall [re-coiffed] appears courtesy of Monolithic Studios and Ashton Drake.
I hope you enjoyed this series inspired by the make do and mend era of the 1940s. With interchangeable accessories, you can always be fashionably dressed with a minimum of time and expense.
Bibliography:
The Complete Book of Sewing by Constance Talbot, published 1943.
Thursday, November 26, 2020
Happy Thanksgiving!
Thursday, November 19, 2020
Catalog Divas
Just in time for the holiday shopping season, Hollywood divas Joan Crawford and Madra Lord appear in an upscale mail order catalog modeling the latest in fall fashion.
Glamorous Furs!
Miss Joan Crawford |
Costume Credits: Fur cape, gloves, and earrings are from Ashton Drake. Dress from Fashion Blvd. Handbag from PD Root. Hat, belt, brooch, and styling are from The Couture Touch. Awards Night Joan Crawford is a Robert Tonner Exclusive for Sandra Stillwell's 2009 Hollywood Ahoy! Event.
You Need A Hat That's Tailored!
Miss Madra Lord |
Costume Credits: Hat and shoulder cape are from The Couture Touch. Top is from Ashton Drake. Spotted in Manhattan Madra Lord is from Jamieshow.
"Say, did you hear. Two Hollywood divas are featured in our fall/winter issue. Do you think we can get their autographs?"
Photo Credit: Chicago Mail Order Company, Fall/Winter 1941-42.
Thursday, November 12, 2020
Add Flair To Fall Separates
Pair a basic skirt with a knit top. Add a hint of sparkle and a touch of fur for a lush fall look.
A beaded applique for sparkle and recycled fur from another outfit updates Miss Marshall's top. A dramatic tilt topper with coordinating suede gauntlet gloves completes this stylish ensemble.
Costume Credits: Top and earrings are from Ashton Drake. A "Nouveau Nouveau" Hat by Sharon has been embellished with feather and floral trim. Handbag from an unknown designer. Skirt, gloves, and styling are from The Couture Touch.
Symphony in G Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
Gene Marshall |
Costume Credits: Top and earrings are from Ashton Drake. A "Nouveau Nouveau" Hat by Sharon has been embellished with feather and floral trim. Handbag from an unknown designer. Skirt, gloves, and styling are from The Couture Touch.
Symphony in G Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
Thursday, November 5, 2020
November Seasonal Accessorizing
Add a sequin collar to a basic dress. A detachable collar is a great way to transition a daytime dress for dinner, cocktails, or the theater.
Monolithic Studios' director Miss Ivy Jordan in the knit dress from "Warmest Wishes", an FAO Schwarz 1998 Fall Exclusive designed by Tim Kennedy. A detachable sequin collar replaces the original cowl neck scarf transforming this dress from daywear to evening sophistication. Dress and gloves are from Ashton Drake. Hat, fur muff, and waist corsage are from The Couture Touch. The sequin collar was recycled from another doll. Lady Director Ivy Jordan is from Integrity.
A pearl encrusted green velvet tie-on collar from Hattie Carnegie is the perfect addition for a late-day dress. Photo is from the October 1, 1943 issue of Vogue magazine highlighting new ways to wear new accessories.
Monolithic Studios' director Miss Ivy Jordan in the knit dress from "Warmest Wishes", an FAO Schwarz 1998 Fall Exclusive designed by Tim Kennedy. A detachable sequin collar replaces the original cowl neck scarf transforming this dress from daywear to evening sophistication. Dress and gloves are from Ashton Drake. Hat, fur muff, and waist corsage are from The Couture Touch. The sequin collar was recycled from another doll. Lady Director Ivy Jordan is from Integrity.
A pearl encrusted green velvet tie-on collar from Hattie Carnegie is the perfect addition for a late-day dress. Photo is from the October 1, 1943 issue of Vogue magazine highlighting new ways to wear new accessories.
Thursday, October 29, 2020
The Ladies of Noir
It's the perfect time of the year to celebrate our favorite femme fatales of film noir from Monolithic Studios.
Miss Violet Waters Costume Credits: Dress, fur, and jewels are from Ashton Drake. Hat is from Integrity. Cigarette holder from Mystyna. Heat Wave Violet Waters [re-coiffed] is from Integrity. |
Miss Madra Lord Costume Credits: Dress and gloves are from Sandra Stillwell. Hat, handbag, and jewels are from Ashton Drake. Spotted in Manhattan Madra Lord is from Jamieshow. |
Thursday, October 22, 2020
Fashionably Forties Felt Tilt Topper
A DIY Project for Gene Marshall & Friends
Gene Marshall |
You can easily make stylish hats for your favorite fashion doll diva by using simple objects as a hat block. Miss Marshall's smartly tailored felt topper uses the bottom of a travel size bottle to form the crown.
The first thing you'll need is an appropriate bottle for your hat. You might just find the perfect one in your kitchen or bathroom. If not, check out the beauty and skincare aisle at your local drugstore. Make sure the bottle is long enough to allow for the felt to stretch down, and that it is the same size or smaller than your doll's head. The bottle used for this project measures 4" in circumference and is 3-1/4" long.
Additional Supplies Needed:
- Wool Felt, I used a 9" x 11" piece
- Foil
- Saran Wrap
- A thick rubber band
- A glass or other round object for tracing a circle
- Dressmaker chalk or other marking tool
- Emery board
- Sewing needle and matching thread
- Scissors
- Ruler or tape measure
- Lightweight Buckram, available at most fabric stores or millinery supply shops
- Assorted trims
To begin, prepare your "hat block" by first covering the bottom of the bottle with foil. Cover the foil with saran wrap as shown above.
Thoroughly wet felt under the faucet with hot water, stretching the felt in all directions. This will loosen the fibers and make it easier to stretch and smooth. Blot excess moisture with a paper towel. Center the felt over the bottle, smooth down sides, and secure with a rubber band. Position the rubber band approximately 1/2" or more below the position of your cutting line to ensure a smooth finish. Begin pulling and stretching the excess felt below the rubber band until it is smooth and wrinkle-free above the rubber band. Take your time. Once you are satisfied with the results, let it dry for at least 24 hours.
Once the felt has completely dried, measure the desired height of the crown and mark for cutting before removing it from the "hat block" as shown above. Tip: If the bottom of your bottle is slightly rounded, place a small flat ruler or other small flat object on top of the crown and measure down with a tape measure and mark the location with chalk. This will help you keep an even line around the circumference of the crown. You are now ready to carefully remove the felt from the "hat block" and cut following your marked cutting line.
To keep the cut edge of the crown from stretching, cut a 1/4" wide strip of buckram the length of the circumference of your "hat block" plus approximately 1/2" or slightly more to allow for overlapping. Stitch to secure as shown above, then slide off the "hat block".
Insert the buckram inside the crown positioning it so that it is even with the cut edge. Stitch close to the edge as shown above. Your trim will hide your stitches. I found this technique makes it easier to attach the crown to the brim.
For the brim, cut a circle of felt in the desired size. For Miss Marshall's hat, a 2 1/2" diameter circle was used. Soften the cut edge by lightly sanding the edge with the fine side of an emery board. Center the crown over the brim and whip stitch the bottom of the crown to the brim with matching thread as shown above. To indent the top of the crown, I used the round portion of a wooden chess piece available at most craft stores. You are now ready to trim your hat as desired. The hat is secured to the hair with a straight pin. Because wool felt retains its shape, you can easily adjust the brim to the desired look.
Resources:
Wool felt is available from Edinburgh Imports.com. They offer an excellent weight felt for doll hats and it comes in a wide assortment of yummy colors. The felt can be purchased by the yard or by the piece. The piece size is 9 x 11 inches. Wool felt may also be available at some fabric and craft stores such as JoAnn Fabrics. Be sure to purchase wool felt, not synthetic craft felt.Thoroughly wet felt under the faucet with hot water, stretching the felt in all directions. This will loosen the fibers and make it easier to stretch and smooth. Blot excess moisture with a paper towel. Center the felt over the bottle, smooth down sides, and secure with a rubber band. Position the rubber band approximately 1/2" or more below the position of your cutting line to ensure a smooth finish. Begin pulling and stretching the excess felt below the rubber band until it is smooth and wrinkle-free above the rubber band. Take your time. Once you are satisfied with the results, let it dry for at least 24 hours.
Once the felt has completely dried, measure the desired height of the crown and mark for cutting before removing it from the "hat block" as shown above. Tip: If the bottom of your bottle is slightly rounded, place a small flat ruler or other small flat object on top of the crown and measure down with a tape measure and mark the location with chalk. This will help you keep an even line around the circumference of the crown. You are now ready to carefully remove the felt from the "hat block" and cut following your marked cutting line.
To keep the cut edge of the crown from stretching, cut a 1/4" wide strip of buckram the length of the circumference of your "hat block" plus approximately 1/2" or slightly more to allow for overlapping. Stitch to secure as shown above, then slide off the "hat block".
Insert the buckram inside the crown positioning it so that it is even with the cut edge. Stitch close to the edge as shown above. Your trim will hide your stitches. I found this technique makes it easier to attach the crown to the brim.
For the brim, cut a circle of felt in the desired size. For Miss Marshall's hat, a 2 1/2" diameter circle was used. Soften the cut edge by lightly sanding the edge with the fine side of an emery board. Center the crown over the brim and whip stitch the bottom of the crown to the brim with matching thread as shown above. To indent the top of the crown, I used the round portion of a wooden chess piece available at most craft stores. You are now ready to trim your hat as desired. The hat is secured to the hair with a straight pin. Because wool felt retains its shape, you can easily adjust the brim to the desired look.
Resources:
Thursday, October 15, 2020
Unexpected Assistants
It just takes a small amount of color to assist in brightening neutral tones as well as black. The addition of these bright assistants provides unexpected touches that lift the mood and spirit of the woman who wears it.
Bold red enlivens a striped tailored suit worn by film star Gene Marshall. Suit, hat, scarf, and jewels are from The Couture Touch. Handbag from Ashton Drake. Gloves are from Sandra Stillwell. Cocoa Crisp Gene Marshall is from Integrity.
In the October 15, 1941 issue of Vogue magazine, these uplifting pops of color were referred to as "Bright Assistants".
For late afternoon, a pink sweater with matching gloves uplifts a black suit. The simple addition of a pink bow on a fur muff along with a black hat accented with pink floral trim can have the same uplifting effect. Green gloves matched to shoe laces and jewels are another bright idea. Illustration is by Rene Bouet-Willaumez (RBW) for Vogue.
Passionate purple provides an inspiring pop of color for director Ivy Jordan's tailored ensemble. Jerkin, skirt, hat, and gloves are from The Couture Touch. Shirt is from Robert Tonner's Brenda Starr Collection. Cigarette holder is from Mystyna. Lady Director Ivy Jordan is from Integrity.
Bold red enlivens a striped tailored suit worn by film star Gene Marshall. Suit, hat, scarf, and jewels are from The Couture Touch. Handbag from Ashton Drake. Gloves are from Sandra Stillwell. Cocoa Crisp Gene Marshall is from Integrity.
In the October 15, 1941 issue of Vogue magazine, these uplifting pops of color were referred to as "Bright Assistants".
For late afternoon, a pink sweater with matching gloves uplifts a black suit. The simple addition of a pink bow on a fur muff along with a black hat accented with pink floral trim can have the same uplifting effect. Green gloves matched to shoe laces and jewels are another bright idea. Illustration is by Rene Bouet-Willaumez (RBW) for Vogue.
Passionate purple provides an inspiring pop of color for director Ivy Jordan's tailored ensemble. Jerkin, skirt, hat, and gloves are from The Couture Touch. Shirt is from Robert Tonner's Brenda Starr Collection. Cigarette holder is from Mystyna. Lady Director Ivy Jordan is from Integrity.
Next Time:
Learn how to make Miss Marshall's Fashionably Forties Felt Tilt Topper. After all, you just can't have too many hats!Thursday, October 8, 2020
1940's Autumn Dash
Monolithic Studios' film stars Gene Marshall and Madra Lord usher in autumn wearing suit ensembles with the look of dash.
Miss Marshall pairs a classic, 1940's edition tailored jacket with a pleated skirt. Sumptuous fur from PD Root, a chic suede handbag from an unknown designer, and a dramatic topper complete the stylish look. Suit, hat, scarf, gloves, and jewels are from The Couture Touch. Blue Fox Gene Marshall is from Ashton Drake.
Miss Lord proves you can still look chic in a simple suit design that spells wartime economy. Suit, hat, and scarf are from The Couture Touch. Gloves are from Ashton Drake. Earrings from D.A.E. Originals. Cigarette holder from Mystyna. Top This Madra Lord, enhanced with an Integrity articulated body, is from Ashton Drake.
Gene Marshall |
Madra Lord |
Thursday, October 1, 2020
October Seasonal Accessorizing
Rejuvenate a solid-colored suit, dress, or coat with the addition of plaid accessories.
A marvelous plaid hat along with a matching wing-collared dickey adds panache to Gene Marshall's suit ensemble. The jacket is a restyled coat dress from D.A.E. Originals' Tour d'Argent. Skirt, gloves, and cigarette holder are from Ashton Drake. Hat, dickey, belt, earrings, and styling are from The Couture Touch. Blue Belle Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
A hat, a dickey, a pair of gloves, a belt, or just a handbag. You don't need a large area of plaid to enliven a basic suit or dress.
A fabulous plaid handbag is all that is needed to complement this Couturier suit from Vogue Patterns, circa 1943.
A marvelous plaid hat along with a matching wing-collared dickey adds panache to Gene Marshall's suit ensemble. The jacket is a restyled coat dress from D.A.E. Originals' Tour d'Argent. Skirt, gloves, and cigarette holder are from Ashton Drake. Hat, dickey, belt, earrings, and styling are from The Couture Touch. Blue Belle Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
A hat, a dickey, a pair of gloves, a belt, or just a handbag. You don't need a large area of plaid to enliven a basic suit or dress.
A fabulous plaid handbag is all that is needed to complement this Couturier suit from Vogue Patterns, circa 1943.
Thursday, September 24, 2020
One Tweed Suit, Two Inspired Looks
Two famous stars from Monolithic Studios choose their favorite look for a classic navy tweed suit. The quickest way to change the look of an outfit is with accessories. Let's see what our stars have chosen.
Actress Gene Marshall goes for drama with bold red accessories. Hat, scarf, and belt are from The Couture Touch. Brooch is from Mattel. Gloves are from Ashton Drake.
Jazz singer Violet Waters chooses a stylishly sophisticated look. Hat, crochet lapel ornament, handbag, and earrings are from The Couture Touch. Red knit top and gloves are from Ashton Drake's "Good-Bye New York" suit ensemble. Luscious fur from PD Root replaces the original cape.
Fashion Plot Gene Marshall and Mood Indigo Violet Waters appear courtesy Monolithic Studios and Ashton Drake.
Styling from The Couture Touch.
Actress Gene Marshall goes for drama with bold red accessories. Hat, scarf, and belt are from The Couture Touch. Brooch is from Mattel. Gloves are from Ashton Drake.
Jazz singer Violet Waters chooses a stylishly sophisticated look. Hat, crochet lapel ornament, handbag, and earrings are from The Couture Touch. Red knit top and gloves are from Ashton Drake's "Good-Bye New York" suit ensemble. Luscious fur from PD Root replaces the original cape.
Credits:
Ashton Drake's Limited Edition "Travel in Tweed" suit ensemble was designed by Lynne Day for the 2004 Gene Marshall Collection.Fashion Plot Gene Marshall and Mood Indigo Violet Waters appear courtesy Monolithic Studios and Ashton Drake.
Styling from The Couture Touch.
Thursday, September 17, 2020
Fabric of the Season: Herringbone Tweed
The herringbone pattern is a distinctive V-shaped design typically found woven in wool fabric. It is distinguished from a plain chevron by the break at reversal, which makes it resemble a broken zig-zag or the bones of a fish such as a herring. Herringbone wool tweeds were often used for tailored suits and outerwear during the 1940's.
Film star Gene Marshall wears a bold black and white wool herringbone tweed jacket that will stand up to the first chill winds of fall. Jacket, hat, and brooch are from The Couture Touch. Skirt is from Sandra Stillwell. Scarf and gloves are from Ashton Drake. Handbag from Madame Alexander. Re-designed earrings from Facets by Marcia. Miss Marshall appears courtesy of Monolithic Studios and Ashton Drake.
From the Chicago Mail Order Company Fall-Winter 1941-42, a wool herringbone tweed coat in versatile black and white.
From the Chicago Mail Order Company Fall-Winter 1941-42, a wool herringbone tweed coat in versatile black and white.
Thursday, September 10, 2020
Between Takes
Solid black wool together with black and white wool houndstooth was used for this smart suit Gene Marshall wears in a 1940 film noir from Monolithic Studios. Suit, a black wool jersey dickey, cigarette holder, and earrings are from The Couture Touch. Shoes from Robert Tonner, The hat from Ashton Drake's "Doing Her Part" has been restyled by adding a white ribbon band and reshaping the brim. Best Bet Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake. Her wig is from Monique.
Thursday, September 3, 2020
September Seasonal Accessorizing
Transform a jacket by adding braid or cording trim. Depending on how it is used, the effect can either be subtle or dramatic.
Even a small touch such as black cording shaped into a cluster of medallions to form a pocket motif adds distinction to a tailored jacket. Suit ensemble is from The Couture Touch. Gloves are from Integrity. Handbag from Randall Craig. "V for Tea" Ivy Jordan is from Integrity.
During WWII unrationed braid was available in a variety of colors and unique designs. In addition, furniture departments carried fringed sofa edgings that could be creatively utilized as trim for clothing. Here are two examples from the September 1941 issue of British Vogue magazine.
Black loop braiding adds panache to Integrity's remodeled suit [Sparkling Sepia]. Following the seam line, the braiding was hand tacked to the jacket and the ends were tucked under the hem. Hat and gloves are from The Couture Touch. Scarf is from Ashton Drake. Handbag from an unknown designer. Spotted in Manhattan Madra Lord is from Jamieshow.
This Harzfeld's department store fashion ad from the September 1942 issue of Harper's Bazaar features a Nettie Rosenstein beige and black wool suit trimmed with black passementerie.
From the archives, the white crepe jacket [Par Excellence] from Robert Tonner's Brenda Starr Collection is embellished with black trim giving it that distinctive forties look. Scarf and matching gloves are from The Couture Touch. Hat and skirt are from Sandra Stillwell. Booties and doggies are from Ashton Drake. Deep Rose Madra Lord is from Integrity.
Ivy Jordan |
During WWII unrationed braid was available in a variety of colors and unique designs. In addition, furniture departments carried fringed sofa edgings that could be creatively utilized as trim for clothing. Here are two examples from the September 1941 issue of British Vogue magazine.
Madra Lord |
This Harzfeld's department store fashion ad from the September 1942 issue of Harper's Bazaar features a Nettie Rosenstein beige and black wool suit trimmed with black passementerie.
Madra Lord |
Thursday, August 27, 2020
"Hollywood Director"
This 1946 fashion ad for a Rosenblum tailored suit pays homage to lady directors in this illustration titled "Hollywood Director" by artist Ben Stahl.
Wearing a casually chic ensemble, Monolithic Studios' actress turned director Miss Ivy Jordan is hard at work on the set of her new film. Jerkin, belt, and styling are from The Couture Touch. Shirt is from Robert Tonner's Brenda Starr Collection. Skirt is from Sandra Stillwell. Gloves from Ashton Drake. Cigarette holder is from Mystyna.
Harper's Bazaar, October 1946.
Lady Director Ivy Jordan appears courtesy Monolithic Studios and Integrity.
Wearing a casually chic ensemble, Monolithic Studios' actress turned director Miss Ivy Jordan is hard at work on the set of her new film. Jerkin, belt, and styling are from The Couture Touch. Shirt is from Robert Tonner's Brenda Starr Collection. Skirt is from Sandra Stillwell. Gloves from Ashton Drake. Cigarette holder is from Mystyna.
Credits:
Lady Director Ivy Jordan appears courtesy Monolithic Studios and Integrity.
Thursday, August 20, 2020
What Are You Doing This Evening?
If you're dining in a restaurant where there is dancing, wear a dress with a full skirt for ease of movement. Cocktail ensemble embellished with "fur" cuffs, and jewels are from Ashton Drake. Cigarette holder from Mystyna. Shadow Song Gene Marshall is from Integrity. Hair styled by The Couture Touch.
For little dinners at home, wear something easy and effortlessly elegant such as this ruffled skirt from Integrity paired with a knit turtleneck bodysuit from Robert Tonner. Cuff bracelet is from Integrity. Cigarette holder from The Couture Touch. Necklace unknown. Twilight Rumba Gene Marshall is from Ashton Drake.
For opening night at the ballet or the theater, choose a stylish satin suit such as this one from Integrity accessorized with a feathered hat and matching gloves from D.A.E. Originals, and sumptuous fur from PD Root. Necklace and earrings are from Madame Alexander. Heat Wave Violet Waters is from Integrity. Hair styled by The Couture Touch.
If you're going nightclubbing, look for an outfit guaranteed to turn heads such as this sequin embellished top from D.A.E. Originals paired with a satin skirt with a dramatic velvet flounce from Ashton Drake. Fur cape is from Dimitha. Jewels and shoes are from Integrity. Gloves from PD Root. Hat and cigarette holder are from The Couture Touch. Sunset Serenade Violet Waters is from Integrity.
If attending a ball, go for all-out glamour with a black velvet gown, "diamond" jewelry, and a luscious fur stole. Evening ensemble is from Ashton Drake. Shoes from Integrity. Queen of Hearts Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
Harper's Bazaar, October 1946.
Styling from The Couture Touch.
For little dinners at home, wear something easy and effortlessly elegant such as this ruffled skirt from Integrity paired with a knit turtleneck bodysuit from Robert Tonner. Cuff bracelet is from Integrity. Cigarette holder from The Couture Touch. Necklace unknown. Twilight Rumba Gene Marshall is from Ashton Drake.
For opening night at the ballet or the theater, choose a stylish satin suit such as this one from Integrity accessorized with a feathered hat and matching gloves from D.A.E. Originals, and sumptuous fur from PD Root. Necklace and earrings are from Madame Alexander. Heat Wave Violet Waters is from Integrity. Hair styled by The Couture Touch.
If you're going nightclubbing, look for an outfit guaranteed to turn heads such as this sequin embellished top from D.A.E. Originals paired with a satin skirt with a dramatic velvet flounce from Ashton Drake. Fur cape is from Dimitha. Jewels and shoes are from Integrity. Gloves from PD Root. Hat and cigarette holder are from The Couture Touch. Sunset Serenade Violet Waters is from Integrity.
If attending a ball, go for all-out glamour with a black velvet gown, "diamond" jewelry, and a luscious fur stole. Evening ensemble is from Ashton Drake. Shoes from Integrity. Queen of Hearts Gene Marshall, enhanced with an Integrity articulated body, is from Ashton Drake.
Credits:
Styling from The Couture Touch.
Thursday, August 13, 2020
One Sheath Dress...Three Quick Changes
Transform a simple dress with a dash of bold color...a froth of tulle...the luxury of mink.
"That's a wrap Miss Marshall. Thank you!"
White Orchid Gene Marshall appears courtesy Monolithic Studios and Jamieshow.
Photo shoot styled by The Couture Touch.